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Pulse of the Sphinx: Vol. 2 Rhythm Drills

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Price: $15.00
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31 two minute tracks to perfect your knowledge of Middle Eastern rhythms. Ideal for improvisation. Everything from maqsoum and malfouf to ayoub, samba and samaee - plus some hard to find! Includes many complete 2-3 minute drum solos perfect for performing.

Rhythm Drill Tracks
 
    01    01:58:04    Drum Sagat Solo
    02    03:28:03    Maqsoum Mashi Solo    
    03    02:05:41    Maqsoum Beladi
    04    02:22:61    Maqsoum   
    05    02:02:43    Saidi Slow    
    06    02:37:00    Noubi   
    07    02:04:16    Ayoub Simple
    08    02:28:30    Bambi    
    09    03:07:70    Sinbati    
    10    03:47:69    Masmoudi Sourayir       
    11    02:11:45    Masmoudi Kebir   
    12   02:11:48     Wahda    
    13   01:56:73     Darj    
    14    03:32:00    Samaee   
    15   03:50:45     Ingara   
    16   02:37:22     Maqsoum Shaabi    
    17   01:53:49     Maqsoum Fast   
    18   01:16:13     Malfouf    
    19    01:29:60    Fellahi    
    20    02:41:17    Saidi Fast    
    21    02:03:62    Noubi Fast    
    22    01:52:15    Afriqi Fast    
    23    03:16:44    Ayoub Solo   
    24    02:04:00    Khaleegi   
    25    02:45:73    Kuwaiti    
    26    02:42:16    Dubki    
    27    02:13:55    Shoubi Iraqi    
    28    02:09:71    Libi
    29    02:09:34    Fox   
    30    02:03:00    Rumba    
    31    02:09:53    Samba

From the album:
     This collection is divided into three parts; traditional Egyptian slow rhythms, faster rhythms and foreign (non-Egyptian) rhythms. The first two tracks are drum solos – as are many of the others on the album - with an emphasis on sagat patterns. Each selection is at least 2 minutes long, just enough time to live the rhythm but not too long to be boring. The tracks are also designed to encourage improvisation – particularly those NOT recorded as drum solos. These make ideal back-beats for finger cymbal solos.
     All of the album’s rhythms are well known in Egypt. Many are basics (maqsoum, fellahi, ayoub, masmoudi soughrayir, malfouf). There are those Western dancers will find familiar - but perhaps not know their names (ingara, bambi). Others harken back to the past, either Ottomon (wahda, masmoudi kebir), or the earlier Andalousian (darj, samaee). Most of the remaining rhythms are regional, either from within Egypt (saidi, noubi, sinbati) or the Middle East (dubki, khaleegi, kuwaiti, shoubi, afriqi, libi). Also included are two versions of the same rhythm - slow versus fast, because rhythms can sound different depending on their speed. At the end are three tributes to 1930s Hollywood (fox, rumba, samba).
     For more information about the rhythms themselves, please see the booklets for the first Pulse of the Sphinx and Artemis Mourat’s Zill Speak, the first volume of our Cymbals Speak series. In them many of the beats have been transcribed into musical notation, translated into “drum speak” - the language of “doums, taks and teks” of Middle Eastern drummers – and broken down into helpful word memory tools.



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